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Treat Yourself this Halloween to James Hayman’s “The Girl in the Glass”

The Girl in the Glass by James Hayman

The Girl in the Glass by James Hayman

Brittle leaves rattled around outside and scratched against the glass door of Longfellow Books in Portland. A group of bibliophiles, many of them writers themselves, listened to James Hayman channel Poe. This wasn’t poetry though, it was a reading from the latest in his murder mystery series set in Portland, Maine: The Girl in the Glass. Read the rest of this entry »

Out of the Fog and Toward Manuscript Submission

House Island, suspended in fog

Anne Lamott wrote, “E.L. Doctorow said once that ‘Writing a novel is like driving a car at night. You can see only as far as your headlights, but you can make the whole trip that way.’ You don’t have to see where you’re going, you don’t have to see your destination or everything you will pass along the way. You just have to see two or three feet ahead of you. This is right up there with the best advice on writing, or life, I have ever heard.”

As writers, we need guides to help us through and out of the fog just as surely as a seaman needs foghorn and compass. In my Jimmy Brackett manuscript, Jimmy must row from Peaks Island to House Island and onward across Portland Harbor to reach the shop where he works. He must use all of his skills and senses to pick his way from island to island and then reach the Portland waterfront, bustling with Civil War-era activity.

Like Jimmy, we all need stepping stones to find the way, reassuring strategies that help us see as far as our headlights can reach during our journey.

The reassuring stepping stone for me right now is hearing my mentor, Rachel Harper of the Spalding MFA program, tell me that it’s time to prepare the agent query letter and submit my manuscript. “This is what you’ve been training for. You’re ready to come out in front of someone. It’s a journey that’s not easy, but you’ve got to go on it,” Rachel said. I’m at that moment where it’s time to stop editing, time to let go of it. It’s time to find the bravery to take that next step.

So expect to hear more from me soon about one-sentence synopses and query letters. I’m grabbing the oars. If I want Jimmy Brackett to reach the mainland, I have to start the long row across the foggy harbor.

Find Your Retreat: Your secret hiding sense and place

retreat2An experience this weekend reminded me of the necessity for finding my “retreat,” that muse-infused space where magic happens. I don’t mean a formal “writing retreat,” complete with workshops and lectures. Although, those are nice, too. Find your retreat in a place that inspires you, connects you to a sense of wonder.

A shadowy porch, a flower-ringed garden bench, or a gloomy forest might offer what Robert Duncan called a widening of the world:

“…part out of longing,   part     daring my self,
part to see that
widening of the world,   part
to find my own, my secret
hiding sense and place, where from afar
all voices and scenes come back…”retreat3
I craved this place “where from afar, all voices and scenes come back” so I ran away this weekend to edit my Jimmy Brackett manuscript. Dear friends offered me respite for a precious 24 hours. I feel rejuvenated, renewed, re-energized.
I share photos from the weekend to encourage you to find your retreat. It doesn’t have to cost money. Go out and find that place, that corner, that view that brushes aside cobwebs and sets your writing free.


retreatWritten by Patricia Erikson, Peaks Island Press offers behind-the-scenes glimpses of a vibrant, literary community perched on Peaks Island, two miles off the coast of the beautiful and award-winning city of Portland, Maine. If you haven’t already, you may subscribe in the upper right corner at

Aiming for Audience: How Peaks Island Authors Do It

Aiming for Audience event

Aiming for Audience event

In an era when many people are tempted to debate the future of books and libraries, it’s comforting to me that the discussion on Peaks Island centers more around how we can make our library bigger and better, and which authors are going to meet with the public next.

This week, I’ll have the pleasure of tackling the topic of  “Aiming for Audience” with a panel of authors, including Tom Bohan, Twain Braden, Mira Ptacin, and Chuck Radis. While we’re foregrounding magazine and journal articles, aiming for audience is something all writers should consider at the writing, editing, and pitching-for-publication phases. For that matter, it’s a topic that everyone should think about whether you’re a teacher, a politician, or a businessman.

Who are the readers that you are most interested in reaching? What do you hope to accomplish when you reach your readers; in other words, what do you hope that they will feel, think, discover, or do?

Peel yourself away from the beach or deck for a couple of hours and join us at the:

Friends of the Peaks Island Library Annual Meeting & Program

Thursday, July 30, 2015, 7-8:30 PM
McVane Community Center, 129 Island Avenue, Peaks Island
Refreshments will be served.

Written by Patricia Erikson, Peaks Island Press offers behind-the-scenes glimpses of a vibrant, literary community perched on Peaks Island, two miles off the coast of the beautiful and award-winning city of Portland, Maine. If you haven’t already, you may subscribe in the upper right corner at

Where Munjoy Hill Memories Meet Masts of Tall Ships


Spanish Galleon Andalucia

 I have decided to watch the Tall Ships Parade of Sail from a corner of Portland most meaningful to me-Munjoy Hill. Here my Irish and French Canadian grandparents found a welcoming neighborhood to raise their two children. Here, a narrow strip of sand-East End Beach- fringes the toe of the Hill. I try to imagine the bathhouses and ugly wool bathing “suits” of my mother’s stories. With the legion of boats navigating the harbor today, I remember her stories of World War II war ships clogging the harbor and then disappearing during the blackout-curtained night.

From this lofty vantage point of Portland’s spine, it’s not hard to see why Lemuel Moody chose this as the site for building his Observatory, the multi-story wooden tower now one of Portland’s beloved historic landmarks.

Historic illustration of the Observatory

 This octagonal tower plays an important role in scenes from a manuscript that I’m editing this summer. My Jimmy Brackett middle grade reader tells the story of the Confederate Invasion of Portland Harbor in 1863. The Observatory hoisted flags to announce the approach of ships – carrying passengers and cargo – who were still approaching the harbor from many miles out to sea. I won’t divulge more of the drama around the caper of mistaken identities or the ship stealing that characterizes this novel. I will say that, unless you’re on board a boat, there’s no better place for viewing a Parade of Tall Ships or spotting Confederate pirates than Munjoy Hill and the top of the Portland Observatory. 

Ceiling of the Observatory’s dome

Author/Illustrator Jamie Hogan Exhibits at Portland Public Library


Jamie Hogan signing a book

Peaks Islander Jamie Hogan – illustrator of ten books and author of Seven Days of Daisy – presented at the Portland Public Library this evening with Matinicus Island author Eva Murray, with whom Jamie collaborated on a new release, Island Birthday. What an extraordinary event, the coming together of two island talents, one who came by ferry, the other who came by plane!


Jamie Hogan’s original artworks on display

If you missed this event, the Sam L. Cohen Children’s Library in the Portland Public Library is exhibiting several of Jamie’s beautiful, original colored pencil and pastel book illustrations until September 25th. The exhibit, titled The Storybook Waters of Illustrator Jamie Hogan, features those artworks that treat the theme of water in Jamie’s book illustrations.


Original of illustration in Seven Days of Daisy

Written by Patricia Erikson, Peaks Island Press offers behind-the-scenes glimpses of a vibrant, literary community perched on Peaks Island, two miles off the coast of the beautiful and award-winning city of Portland, Maine. If you haven’t already, you may subscribe in the upper right corner at

From Page to Stage: Nicole d’Entremont’s “A Generation of Leaves” becomes a play

Nicole d'Entremont

Author Nicole d’Entremont heads toward home from the ferry landing on Peaks Island.

One benefit of commuting by ferry to and from Peaks Island is the opportunity to connect with neighbors on the ride across the harbor. One damp, windy evening (that’s my wink to  a “dark and stormy evening” purple prose), I sat with Nicole d’Entremont and learned about the adaptation of her novel, A Generation of Leaves, into two plays, one of which — Le Retour (or The Return) — premieres this summer.

Le Village Historique Acadien will stage Nicole’s play in beautiful Lower West Pubnico Nova Scotia. Nicole said, “Le Retour captures the second half of my book — Elzéar’s return home to Pubnico and his attempt to “fit in” to life in the small Acadian village of Pubnico. As in the book, the image of his older brother Léonce who was killed in Ypres, Belgium haunts him and he must contend with this haunting in a visceral way. I won’t say more lest my words betray some kind of spoiler.”


Le Village Historique Acadien offers costumed interpreters that bring history to life (photo courtesy of Le Village).

The Canadian Maritimes are dotted with French-speaking villages like Pubnico, the oldest Acadian settlement in the province. Costumed interpreters and events at Le Village Historique Acadien explore Acadian culture. Nicole explained, “Le Village is a perfect place for the performance since the amphitheater is set in the historical restoration of an Acadian village in the early 1900’s the time period of WWI and of the return of soldiers from the war. Unlike here in the US, the Centennial of WWI is being remembered in all the countries that took part in that massacre from 1914-1918 and not just remembered in 2017 one hundred years after the U.S. entered into the fray in 1917.”


Le Village Historique Acadien cast in 2014 with playwright Nicole d’Entremont far right

“In writing a play, you can’t depend on long lines of descriptive narration. The fun challenge was crafting short lines of dialogue and suggesting stage actions to move the plot along. But then I missed the introspective life of characters so I needed to write asides–the actor breaking through the fourth wall and talking directly to the audience. In Le Retour, one character does quite a bit of that, but without long soliloquies. Le Retour is almost all in le français and I translated the script with the help of my teacher here in Portland–Nina Schmir. The necessary Pubnico acadien patois will be added by the actors.”

“In the first play last year, I enjoyed backing off and seeing what folks did with what I had written. Actors learned the lines and sometimes changed them–that’s because the lines have to work on the stage and that was not my craft. Actors knew what was working and I generally agreed. I loved the camaraderie, the set design, the costumes, the goofing around, the sound effects, the serious moments of discussion regarding how to move, gesture, and emote on the stage.”
“I have a little more riding on this one act play than last year’s play because I deal more forthrightly with some themes of French/English relationships which still resonate in Canada: the effects of war on returning soldiers and religious bias. These are issues we confront every day and either we look at them and say nothing or we discuss them. Maybe this play will provoke the latter.”

Le Village Historique will perform the play in early August, so check their website or Nicole’s blog for an announcement of the final schedule. Ferry service on the Nova Star sails from Portland to Yarmouth, Nova Scotia; from there the Pubnicos are a short 45 minute 103 Highway or 60 min, scenic Lighthouse Route 3 up the shore.  Nicole said, “If you haven’t been to Nova Scotia, especially to the seven Acadian villages of Pubnico then you would be in for a treat. There are places to stay and Le Village has great regional cuisine.”

For more information about Nicole d’Entremont’s writing process, see 5 Tips for Writing a Historical Novel.

Written by Patricia Erikson, Peaks Island Press offers behind-the-scenes glimpses of a vibrant, literary community perched on Peaks Island, two miles off the coast of the beautiful and award-winning city of Portland, Maine. If you haven’t already, you may subscribe in the upper right corner at


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