Peaks Island Press

News on Peaks Island Authors

American Idol mania brings film crew to Umbrella Cover Museum

American Idol visits Umbrella Cover Museum

American Idol visits Umbrella Cover Museum

Nancy 3. Hoffman — singer, accordionist, pianist, musical director, Curator/Director of the world’s only Umbrella Cover Museum, and author of “Uncovered and Exposed” hosted a film crew from American Idol today.

Visiting our fair city of Portland for the American Idol bus tour auditions, a film crew sought out Nancy here on Peaks Island to film a quirky, local attraction.

American Idol bus on Maine State Pier

American Idol bus on Maine State Pier

Nancy said, “They Came!! American Idol has filmed me and the Umbrella Cover Museum!! It was crazy – they arrived at 4:50 PM; I greeted them playing my accordion at the ferry. We jogged up the hill; they filmed, I blabbed, I sang the theme song, and played. We jogged back down the hill and they made the 5:00 boat. Whew. If it does not get cut it will be on [American Idol] in January or February! Do not hold your breath.

So keep an eye out for Portland and Peaks Island as we may show up on this season’s popular show, or, come and visit the Umbrella Cover Museum in person or ready Nancy’s book.

Here is some nice footage of Nancy in her museum on Peaks.

 

Peaks Island Press offers behind-the-scenes glimpses of a vibrant, literary community perched on Peaks Island, two miles off the coast of the beautiful and award-winning city of Portland, Maine. If you haven’t already, you may subscribe in the upper right corner at http://www.peaksislandpress.com.

Poet Chris Robley featured at Peaks Island’s Stone Boat Poetry

ChrisRobleyposter

Chris Robley album cover

Poet, songwriter, musician, and producer Chris Robley – with roots in the “other Portland” – is delivering his well-crafted work to appreciative audiences right here in our own (the first!) Portland these days. POETRY, Prairie Schooner, Poetry Northwest, Beloit Poetry Journal, RHINO, Magma Poetry, Pacifica Literary Review, and Arsenic Lobster have all published Robley’s poetry. He won the Boulevard’s 2013 Poetry Prize for Emerging Writers and the 2014 Maine Literary Award for “Short Works Poetry.”

Read more about Chris and watch video clips of him performing his music at http://blog.chrisrobley.com and then come offer him a warm, island welcome.

Organizer Jesse Mantsch explains, “As always, we will have an open reading, so bring a poem of your own work or another’s to read, or come just to listen, that’s fine, too. And please bring food and/or something to drink, but if you don’t have something to bring, please come anyway. The words and voices are what we want the most.”

WEDNESDAY, JULY 9TH AT 7 PM

at Janii and Lawrence Mott’s workshop/boat shelter/ poetry venue/ pumphouse at the top of Elizabeth Street on Peaks Island.

Peaks Island Press offers behind-the-scenes glimpses of a vibrant, literary community perched on Peaks Island, two miles off the coast of the beautiful and award-winning city of Portland, Maine. If you haven’t already, you may subscribe in the upper right corner at http://www.peaksislandpress.com.

 

Colors and Pages of Peaks Event

The Friends of the Peaks Island Library is once again teaming up with TEIA to bring Island Authors and Illustrators to the Color and Pages of Peaks — Friday, July 11 and Saturday, July 12. Island authors, if you are interested in having your books there please let us know. You can be there to informally discuss your work (which was popular last year) or you can leave books to be sold. Ten percent of sales will go to TEIA scholarships for island kids.

Please contact Kathryn Moxhay
at: kmoxhay@earthlink.net

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“So you want to be an islander?”: Tom Bergh writes on Casco Bay

Tom Bergh with student kayaking expedition

Tom Bergh (far right) with student kayaking expedition

Whatever you do, “do NOT ask us – as in never ask us – what time the 2:15 boat leaves.”

So says Tom Bergh to those who yearn to become islanders. In hosting the hundreds of thousands of tourists who migrate to Maine, especially in summer and fall, we earn our license plate moniker “Vacationland.” Tourism is the largest industry in Maine’s economy, measured in billions of dollars. With its shoreline road, beaches, favored wedding locations, restaurants, cottage rentals, and shops, Peaks Island hosts a significant share of Maine’s tourist traffic. Island residents react to tourism in varying ways – from refusing to leave their property for three months (well amost) to rolling up their sleeves and making tourism a cornerstone of their business.

So you want to be an islander?

So you want to be an islander?

Tom Bergh, outdoorsman and owner of Maine Island Kayak, is one of the islanders who has spent years coaxing tourists into kayaks and introducing them to Maine, to Peaks Island, and to the allure of Casco Bay’s marine life and ocean currents. Tom once told Canoe & Kayak that “The sea strips you down so quickly. It shows you how people relate to themselves and their environment and that it’s all about taking total responsibility for every aspect of your actions.” Having led countless families and school or corporate groups on excursions, Tom was ideally suited to pen his first book, “So you want to be an islander?: A Field Guide to Life in Casco Bay.”

This self-published guidebook covers everything from ferry etiquette (including what not to ask) to island rules of the road and from a history of lighthouses to a look at local sea life inhabiting tide pools.

A New Field Guide to Life on Peaks Island, Casco Bay, Maine is available at amazon.com, at our beloved, local Longfellow Books, or by contacting tom@maineislandkayak.com, 207-232-6733.

For a glimpse of Peaks Island kayaking – on the aggressive side – watch this video, if you dare.

Born to Write, Living in Exile

tarpedboat

Tarped boat awaiting first launch

When I was barely old enough to hold a pencil, I wrote stories. I started typing them as soon as my mother offhandedly passed her clackety typewriter to me so that I could play at being a reporter. Writing has been one of the most defining desires in my life, yet, I find myself living in exile from it.

Should I blame the full-time job that leaves me wrung out by the end of the day? Or the household chores that pile up onto the night and weekend time slots when I’m not working? And don’t forget the emotional exhaustion and sleeplessness that accompany parenting a teenager. Day after day, week after week, month after month, I’ve let my life tear me away from writing.

typewriterkeys2Now I am pitching and lurching, unmoored, adrift on cross-cutting currents not of my making, poised for a wreck. Without writing, there is no direction, no point on the horizon for reckoning. No point at all.

I stop and look, really look, at my mother’s typewriter, now mounted on a wall, its keys black, rounded, gem-like. I want to tap them, watch the keywheel spin, throw the carriage return to one side with a satisfying smack. And start again. Click, click, clack. Click, click, clack. I want to push back at the life-squalls, drop a line overboard, and let it rope-burn through my fingers, clean and direct, plummeting to the seabed, led by a word-weighted anchor seeking a page.

Peaks Island Press offers behind-the-scenes glimpses of a vibrant, literary community perched on Peaks Island, two miles off the coast of the beautiful and award-winning city of Portland, Maine. If you haven’t already, you may subscribe in the upper right corner at http://www.peaksislandpress.com.

Gibson Fay-LeBlanc visits Stone Boat Poetry on Peaks Island

Writer, teacher, and former Director of the Telling Room

"Pete" from Dryhead Ranch in Montana

“Pete” from Dryhead Ranch in Montana

Gibson Fay-LeBlanc visited Peaks Island’s Stone Boat Poetry gathering this week. Although I was not fortunate enough to join the group and hear him read, I took a moment to read a few of his poems. Having devoted years of my life to all things equestrian, I found “Rider Unhorsed” captivating. Preparing this post gave me the excuse to revisit the photos I took on a ranch in Montana. This looming horse muzzle seemed appropriate.

After you enjoy it, keep in mind that Stone Boat Poetry meets the first Wednesday evening of every month to celebrate a featured poet and host an open read.

Rider Unhorsed

First reeds at the pathside became vocal
then the dunes’ curve met the curvature
inside my eye. I saw Polaris become

five-pointed, and red pines closed the sky
as bluebells opened it. This is vision country.

As to where my horse is, my steed of good
deeds and satchel of bad lemons, or how

my head became a tuning fork in a thicket,
I’m too busy to answer. The alder’s summer

is speckled and short-stalked; the blackbird
parades its reds; nuthatches dangle down.

Linger with me; step out of your swivet.
Be mind-muddied a while, and temple-robbed.
Be lullabied by the music of far-off bells.

Copyright © 2006 Gibson Fay-LeBlanc All rights reserved
from Backwards City Review
Reprinted by Verse Daily® with permission

Peaks Island Press offers behind-the-scenes glimpses of a vibrant, literary community perched on Peaks Island, two miles off the coast of the beautiful and award-winning city of Portland, Maine. If you haven’t already, you may subscribe in the upper right corner at http://www.peaksislandpress.com.

Can we understand the past? Tip #5 of writing historical novels

sheets“The past is a foreign country; they do things differently there.”
― L.P. Hartley, The Go-Between

“The past is never dead. It’s not even past.”
― William Faulkner, Requiem for a Nun

Barring the invention of a time machine, we can never truly inhabit the past, perhaps never truly understand it. Tip #5 of the 5 Tips for writing a historical novel considers: how can we presume to write about it? Do we seek to understand the past as a “foreign country,” understanding it for its own sake and on its own terms? Or, do we wish to view history through the lens of the present, as though it is still with us, still informing and informed by our present point of view?

I would say that both are true. On some level, we must accept and respect that the past is a foreign country. Unless we’re working in a fantasy genre, we can’t write tomatoes onto the table of an early Roman banquet, nor can James Cameron get away with a reference in the movie Titanic to a man-made reservoir that did not yet exist. The past really was different. People spoke differently, experienced life differently, and had different resources available to them.

On the other hand, repercussions from the past continue to shape our world. An author can find, with great care, analogy in the present that can inform writing about the past. In writing about soldiers’ experiences in World War One, Peaks Island author Nicole d’Entremont reflected upon the war veterans who attended her Sudden Fiction* classes in Albuquerque. A story shared by one veteran from the first Iraq war found itself come alive in a scene about WWI. Nicole explained:

I remember a vet from the 1990 Gulf  War who wrote a reflection drawn from a Sudden Fiction prompt. He remembered the dust, heat, and hot wind of the desert.  Then, one day back home in New Mexico, he saw his mother’s freshly washed sheets hanging on the line, flapping and drying in the sun, catching the breeze.  He buried his face in those sheets for their clean smell, their coolness and freshness– burying his face in all of it. Reflecting on his writing now, I remember thinking that his feeling was almost like a cleansing, some kind of baptism. I had my character, Elzear, (back from the WWI trenches in 1919 having survived the war) do this same thing in A Generation of Leaves.  I thank that student whose name I have forgotten for such a lasting image.

While language, technology, and national boundaries change from the past to the present, there are aspects of our humanity that endure across generations. As long as we respect that the past is a foreign country, we can still cross the border and find common ground.

If you would like to meet Nicole, then come to her book launch event for A Generation of Leaves this week, Tuesday, February 25th at 7 PM in the Doug MacVane Community Center on Peaks Island.

*Here, Sudden Fiction refers to workshops, facilitated by Nicole and others, that encourage writers to respond to a prompt by writing for one unbroken hour and then reading aloud to share with the group.

Peaks Island Press offers behind-the-scenes glimpses of a vibrant, literary community perched on Peaks Island, two miles off the coast of the beautiful and award-winning city of Portland, Maine. If you haven’t already, you may subscribe in the upper right corner at http://www.peaksislandpress.com.

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