“The past is a foreign country; they do things differently there.”
― L.P. Hartley, The Go-Between
“The past is never dead. It’s not even past.”
― William Faulkner, Requiem for a Nun
Barring the invention of a time machine, we can never truly inhabit the past, perhaps never truly understand it. Tip #5 of the 5 Tips for writing a historical novel considers: how can we presume to write about it? Do we seek to understand the past as a “foreign country,” understanding it for its own sake and on its own terms? Or, do we wish to view history through the lens of the present, as though it is still with us, still informing and informed by our present point of view?
I would say that both are true. On some level, we must accept and respect that the past is a foreign country. Unless we’re working in a fantasy genre, we can’t write tomatoes onto the table of an early Roman banquet, nor can James Cameron get away with a reference in the movie Titanic to a man-made reservoir that did not yet exist. The past really was different. People spoke differently, experienced life differently, and had different resources available to them.
On the other hand, repercussions from the past continue to shape our world. An author can find, with great care, analogy in the present that can inform writing about the past. In writing about soldiers’ experiences in World War One, Peaks Island author Nicole d’Entremont reflected upon the war veterans who attended her Sudden Fiction* classes in Albuquerque. A story shared by one veteran from the first Iraq war found itself come alive in a scene about WWI. Nicole explained:
I remember a vet from the 1990 Gulf War who wrote a reflection drawn from a Sudden Fiction prompt. He remembered the dust, heat, and hot wind of the desert. Then, one day back home in New Mexico, he saw his mother’s freshly washed sheets hanging on the line, flapping and drying in the sun, catching the breeze. He buried his face in those sheets for their clean smell, their coolness and freshness– burying his face in all of it. Reflecting on his writing now, I remember thinking that his feeling was almost like a cleansing, some kind of baptism. I had my character, Elzear, (back from the WWI trenches in 1919 having survived the war) do this same thing in A Generation of Leaves. I thank that student whose name I have forgotten for such a lasting image.
While language, technology, and national boundaries change from the past to the present, there are aspects of our humanity that endure across generations. As long as we respect that the past is a foreign country, we can still cross the border and find common ground.
If you would like to meet Nicole, then come to her book launch event for A Generation of Leaves this week, Tuesday, February 25th at 7 PM in the Doug MacVane Community Center on Peaks Island.
*Here, Sudden Fiction refers to workshops, facilitated by Nicole and others, that encourage writers to respond to a prompt by writing for one unbroken hour and then reading aloud to share with the group.
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Categories: Authors, Events, On Writing
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