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Lobstermen and Russian Spy Satellites: “Hauling Through” Book Event

haulingthroughcoverIf you’re within striking distance of Peaks Island, Maine, then you should aim for the Peaks Island Branch Library’s book event with Peter Bridgford, author of Hauling Through, on Wednesday, August 10, 2016 at 7:00 pm in the MacVane Community Room.

After graduating from Bowdoin College, “Bridge” worked several commercial fishing boats, including on a processing ship in the Aleutians, a Maine lobsterboat, and on a longliner on the Grand Banks. As Captain of his own charter boat, he knows a thing or two about fishing and so it’s not surprising that he has chosen a fishing community for the setting of his newly published book, “Hauling Through.”

bridgfordreadingKestrel Cove, a tight-knit community of hardworking and hardheaded characters, provides the setting for Hauling Through. Bridge is quick to say, “My mother and my wife both implore me to take every opportunity to say that Hauling Through is not an autobiographic work!” What makes this lobsterfishing town unique?: the residents’ earnest belief that a Russian satellite cruises overhead every night to spy on them.

Perhaps it’s not surprising then that Jamie Kurtz, an underachieving graduate from a nearby private college, is closely watched and talked about when he gets a job on a lobsterboat. The synopsis promises that as he’s gradually accepted as one of Kestrel Cove’s own, he not only finds true love, but feels a belonging to something bigger than himself. Ultimately, he’s faced with the most difficult decision of his life – to stay or to go.

Things to do: Attend the Peaks Island Branch Library’s book event with Peter Bridgford, author of Hauling Through, on Wednesday, August 10, 2016 at 7:00 pm in the MacVane Community Room.

Written by Patricia Erikson, Peaks Island Press offers behind-the-scenes glimpses of a vibrant, literary community perched on Peaks Island, two miles off the coast of the beautiful and award-winning city of Portland, Maine. If you haven’t already, you may subscribe in the upper right corner at http://www.peaksislandpress.com.

Tips from a Commuting Writer: Peter Bridgford and “Hauling Through”

bridgfordcaptain

Peter Bridgford, author and charter boat captain

You know all those articles about religiously rising early and sequestering yourself at a hallowed desk in order to achieve success as a writer? Nope, this is not one of those; consider this an ode to the literary road warrior, the “commuting writer.”

Most commuters busy themselves with avoiding coffee spills or with checking for pillow face and inside-out-shirts (speaking for myself, at least). But, year after year, I have watched Peter Bridgford, author of Hauling Through, use his commute across Portland Harbor more productively. Consequently, to me, he bears the standard for the “commuting writer’s” life.

I caught up with “Bridge,” as he’s known to Peaks Islanders, in between his duties captaining his own charter boat and vacationing with family on Monhegan Island. Yes, inexplicably, islanders go to other islands for vacations; I just went to North Haven for a getaway myself. Read on to see how Bridge advocates for a commuting writer’s life, a practice that makes writing more accessible for many of us, including me.

The ferry ride between Peaks Island and the mainland is almost the same length of time as the train ride commute I used to have in D.C., so I began to write on the boat. There’s one big difference from commuting in D.C.; however, and that is, when you’re on the ferry, you’re riding with friends and acquaintances, not complete strangers who want nothing more than to ignore you. So it’s common for the people in your section of the ferry to want you to be part of their commuting conversation. There’ve been many times that I knew that I was appearing rude, aloof, and downright strange to my fellow ferry riders as I religiously put on my headphones, opened my laptop, and began typing away, but the need to write was so strong that I decided I could live with those monikers. Most of my friends understood my odd behavior, and allowed me to have my time on the boat.

I think that the practice of writing on the subway and then the ferry have had two lasting impacts on me as an author. First off, I learned that I can write anywhere – subways, ferries, airports, train stations, buses, etc. Also, I saw that forty minutes a day is more than enough to get some good work done. The math is simple; 40 minutes a day, 200 minutes a work week, and 10,400 minutes a year! I know that some writers can be so daunted by the task of finding the perfect place and length of time to write that they actually block themselves as they search for those, but I feel fortunate that I now know that it can happen anywhere and in any amount of time you have.

As for how I embarked upon writing “Hauling Through,” I graduated from college without a clear career path in mind, and, for most of my twenties, I worked an assorted collection of diverse jobs in various locations with the most colorful of characters. Along the way, I sterned on a lobsterboat in a small isolated fishing community in Maine. I did not experience what Jamie Kurtz, the main character of my book, did in the fictional town of Kestrel Cove, but the kernel for my novel was looking back at my experiences in that small town and my attempts of being accepted by the people around me. Even moving to Peaks Island had some similar threads – being accepted by the other islanders, getting to know all of those other wacky people that chose to live on an island, and realizing there is a different set of norms and rules that exist on islands. I definitely see that the richness of the characters and the zaniness of the daily events on islands, in isolated communities, and aboard ships not only make for the perfect setting for novels, they are the perfect places for an exciting and rewarding life.

Things to do: Attend the Peaks Island Branch Library’s book event with Peter Bridgford, author of Hauling Through, on Wednesday, August 10, 2016 at 7:00 pm in the MacVane Community Room.

Written by Patricia Erikson, Peaks Island Press offers behind-the-scenes glimpses of a vibrant, literary community perched on Peaks Island, two miles off the coast of the beautiful and award-winning city of Portland, Maine. If you haven’t already, you may subscribe in the upper right corner at http://www.peaksislandpress.com.

 

Maine’s “Lewis Carroll”-Catherynne Valente-Takes Fifth Fairyland on Tour

catherynnevalente

Catherynne Valente named her Peaks Island, Maine home “The Briary,” the place where the queen lives in Fairyland.

Catherynne Valente’s writing has been compared to that of Lewis Carroll and Neil Gaiman, to name a few, in a review of The Girl Who Raced Fairyland All the Way Home, the fifth volume in the New York Times bestselling Fairyland series that came out this week  (Michael Berry, Maine Sunday Telegram 2/28/16). Perhaps it’s the teen heroine named September who encounters octopus-assassins, sentient bathtubs, changelings, wombats, and a Moon-Yeti in her Fairyland adventures that begs the comparison. When I asked Catherynne how she felt about the flattering comparison, she said,

 “Oh, I love the Alice books so much. They are certainly a deep influence, as are all the children’s classics–Narnia, Phantom Tollbooth, Peter Pan, The Neverending Story, The Hobbit, The Secret Garden, The Wind in the Willows. And one of the things we never think about with Alice is how intellectual those books are! Sometimes people tell me I use words that are too big for kids–but we think nothing of giving six-year olds these novels full of allusions to Victorian Prime Ministers, Latin puns, chess strategy, higher level math, and references to military battles and politics few children could possibly understand in this day and age. And that’s part of what I love about it! you can read Alice as a child and simply enjoy the nonsense and the adventurous girl, and read it again as an adult and see that it isn’t nonsense at all, enjoying the references and added dimensions of Carroll’s work. Best of both worlds, and I hope kids can do the same with my books.”

As a Maine island resident myself, I know that the natural environment of Peaks Island fuels the imagination of many authors and artists. I invited Catherynne to describe how the island has fed the five volumes of the Fairyland series. She explained,

Fairyland itself is an island, the very one my title character – September – circumnavigates in the first book. The climax of the book also occurs at a place inspired by Peaks Island’s Battery Steele. I have written the entire series on the island, in two houses and my office down front, the Ministry of Stories (the Umbrella Cover Museum in the summer). I even named my home after the place where the queen lives in Fairyland – the Briary.

The beautiful Peaks Island autumn shows up in the magical country of the Autumn Provinces, as does the sense of community in all the little villages of Fairyland. One of the beloved companion characters in the later books is actually a Model A Ford named Aroostook, after the burlap sack over its spare wheel. Think Chitty Chitty Bang Bang but with a wilder magic. Maine shows up in so much of my work, though sometimes it goes by another name.
 girlwhoracedfairylandWhen Peaks Island Press caught up with Catherynne at her island home this week, she was packing to take the last Fairyland on tour and was looking forward to the scavenger hunts and dress-up parties organized to celebrate the book launch at bookstores across the country (Michigan, North Carolina, Kentucky, Massachusetts, and New York). I asked her how her young readers were responding to the heroine named September. She said,
 My young readers are wonderful, and they’ve really embraced September. I always have girls dressed in orange at my readings, and so many of them identify with September’s struggles and plain spokenness and tendency to rescue herself. I never tried to make a perfect protagonist, but a real one, one that was the kind of kid I wished I was when I was young–bookish but brave, loyal, but talks too much, and full of longing for excitement and a magical life.
MinistrySofStoriesoffice

Catherynne Valente has written the five-volume Fairyland series on Peaks Island, in two houses and her office down front, the Ministry of Stories, which hosts the equally whimsical Umbrella Cover Museum in the summer.

 

In the year marking the 150th anniversary of the publication of Lewis Carroll’s Alice’s Adventures in Wonderland, what could be more appropriate than a celebration of a new “Wonderland,” one with Maine island roots? Here are the titles of the five books in the series, in order:

  • The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making
  • The Girl Who Fell Beneath Fairyland and Led the Revels There
  • The Girl Who Soared Over Fairyland and Cut the Moon in Two
  • The Boy Who Lost Fairyland
  • The Girl Who Raced Fairyland All the Way Home
 Written by Patricia Erikson, Peaks Island Press offers behind-the-scenes glimpses of a vibrant, literary community perched on Peaks Island, two miles off the coast of the beautiful and award-winning city of Portland, Maine. If you haven’t already, you may subscribe in the upper right corner at http://www.peaksislandpress.com.

Visiting Historic Sites: Nicole d’Entremont and 5 tips for writing a historical novel

If you plan to write a historical novel, then also plan on fueling your writer’s imagination with a number of historical sources. Following an interview with Nicole d’Entremont, Peaks Island Press decided to offer five tips to get you going on your historical novel. In case you missed it, Tip #1 was Listen to family stories.

Tip #2: Visit historic sites

In Nicole’s case, visiting a historic site relevant to her novel meant traveling to one of the most gruesome battlefields of the First World War, often known as Flanders Fields in Belgium. This was the blood-soaked Flemish countryside captured by the lines of Lieutenant Colonel John McCrae’s poem,  “In Flanders Fields the poppies blow, Between the crosses row on row…” When Nicole and I sat down together, she shared the role that visiting this notorious site played in writing her WWI novel, A Generation of Leaves. She said, “In order to write the book I wanted to write, I had to go to Belgium and walk where my young uncle had walked.  I wanted to go deeper than just book research and that was the way to do it.” Let’s listen to why Nicole feels that way.

Visiting the trenches at Ypres

“Two years ago, I went and connected with a battlefield tour organization — Flanders Battlefield Tours — in Ypres, Belgium. My guide, Jacques Ryckebosch, took me to a section of trench in Sanctuary Wood where many Canadian soldiers had been killed.  What I didn’t know was that Jacques had told the museum staff there that I was a relative of a soldier who fell at Sanctuary Wood. I was standing in the trench and I suddenly heard the sound of bagpipes coming from the forest nearby. I asked him what that music was. He told me that they were playing for my Uncle Leo. I understood fully then that it’s not ‘the past’ for them. It’s ‘the present.’

One of the hardest things about this book project was reading about the staggering numbers and the conditions of the warfare. There were 20 million people killed in the First World War. How do you grasp that? But seeing one of the most notorious places on the Western Front helped put me in touch with my uncle [who is the basis for the character Léonce]. When I went to the Flemish countryside and saw the soil, I learned that it’s very distinctive; it turns into a viscous mud when it rains. I could then imagine crouching in the confined space of the trench wallowing, wallowing in the mud. Then I went to the Menin Gate in Ypres. My uncle’s name is among the 55,000 names on that gate. They are the names of the soldiers who fought nearby and whose bodies were never recovered.”

Menin Gate became the place where Nicole’s book ends. The character, Léonce, only survived the trenches a few months, so Nicole has other characters carry readers through the chaos to the end of the war.

View from within 80-foot high Menin Gate

Visiting the trenches and Menin Gate not only influenced her writing process, but they are shaping her book event plans, too. Through her research and travel, Nicole learned that every night at 8 PM for nearly 90 years, since 1927, Menin Gate shuts down to traffic; everything stops to allow for the playing of taps. It’s an extraordinary living tribute. Next year, in 2014, numerous events will commemorate the centennial of the start of WWI and Nicole plans to travel to Belgium to participate. Through her novel, Nicole will bear witness to “the war as not past, but present.”

Stay tuned for the next in the five tips for writing a historical novelTip #3: Archive Diving.

Peaks Island Press offers behind-the-scenes glimpses of a vibrant, literary community perched on Peaks Island, two miles off the coast of the beautiful and award-winning city of Portland, Maine. If you haven’t already, you may subscribe in the upper right corner at http://www.peaksislandpress.com.

Nicole d’Entremont on family stories and 5 tips for writing an historical novel

Nicole d'Entremont

Nicole d’Entremont

Stories. Family stories. The ones spoken across dinner tables and at bedsides. These have the power to send us on journeys of mind, body, and heart. While my father’s WWII stories of the Arctic, propelled me to write about Greenland, “one little scrap of a story” sent Peaks Island author Nicole d’Entremont on a five-year journey to write what is perhaps the first historical novel to portray the Acadian experience in the First World War. While sharing her writing process, five tips for writing a historical novel emerged.

Tip #1: Listen to family stories

Alongside her pot-bellied woodstove, Nicole and I took refuge from the Polar Vortex and talked about “A Generation of Leaves,” her newest novel that follows her Uncle Leo from the tiny Acadian fishing village of Pubnico, Nova Scotia into the trenches of World War I.

Nicole: “I never knew my Uncle Leo. He enlisted to fight in World War I when he was 21 years old. My father told me one little scrap of a story about Uncle Leo, and that story had been passed down to him by my grandmother. My grandmother, Monique Adèle, was a devout Catholic and a formidable woman. She sent my father down to the train station every week to pick up the paper from Halifax and bring it back to the village. It was Monique Adèle’s job to read the newspaper for the names of those who had fallen on the Front. One evening, Monique Adèle went out to the woodpile and she saw her son, Leo, dressed in his uniform, standing there looking at her. He was smiling. She blinked. He was gone. She knew then that she would never see him again. Months later, his name appeared in the newspaper on the list of those missing in action. Eventually, he was

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Author Nicole d’Entremont with parents, brother, and grandmother Monique Adele

listed as killed in action. His body was never found.

I have been returning to the little village of Pubnico every summer since 1964 and that story of Monique Adèle’s experience at the woodpile always stayed with me. I wanted to understand the Acadian experience of World War I. How did families feel fighting for a nation that had expelled them in the 1700s? There is not much written about that.

My grandmother was like the prow of a ship. I remember being afraid of her. She died at the age of 90 when I was 17. But stories about her remained.”

Listening to these family stories inspired Nicole to learn more. For years, she spoke with villagers in Pubnico, gathered more oral history, and defined the characters in her novel. Like her grandmother, the character, Adèle, has 11 kids and she’s “the boss of the village and the matriarch of the family.” She becomes a central figure in “A Generation of Leaves.” Nicole’s Uncle Leo becomes the Acadian soldier, Léonce, who survives but a few months in the trenches.

Family stories and village oral history helped Nicole portray both how the war tore many families apart and how it also pulled the village more tightly together. But those stories were just a beginning in her writing process. Keep an eye out for the second of the five tips for writing a historical novel: Tip #2: Visiting historic sites.

“Darkness First”: James Hayman takes us into the long nights with a good read

Author James Hayman

Author James Hayman

All across the island, residents are chopping and splitting wood or carrying it inside to stoke their stove again the November chill. And with crime fiction author James Hayman living among us, the chills are bound to keep coming. The last time I wrote about fellow island author, Jim, he had banded together with many others to raise funds to help Longfellow Books recover from storm damage of the blizzard, Nemo. Since that time, Hayman has been busy penning (or should I say keyboarding?), the third in his series of McCabe/Savage thrillers, “Darkness First.”

Islanders conduct a lot of business on our shared ferry ride, and that’s where I caught up with Jim to ask him about “Darkness First.” I was curious to know more about why Harper Collins has released it first as an e-book, rather than the traditional release as an expensive hardcover. The first “imprint” sells for the introductory price of only $2.99. Jim explained, “When Penguin U.K. offered an e-promotion on my second book, The Chill of Night, they sold some 10,000 downloads in a day. That helped me realize that e-books have more than 50% of the genre fiction market and that I should consider going that route.”

True confessions here. I don’t read e-books. You can call me a luddite, but it wouldn’t be true. I’m an aggressive and avid technology consumer, but that inclination has not invaded my nightly escape to bed where I like to hold a book and turn pages when I read voraciously. I’m sorry. I just haven’t gone there yet. I’m sure it will happen.

Newest thriller Darkness First

Newest thriller Darkness First

For those of you who do read novels digitally, you can download Darkness First to your Kindle, Nook, or iPad from Amazon, Barnes & Noble, or any other e-book source. You can even read the first chapter for free at Amazon or at Jim’s website. The reviewers are saying that this is his best one yet. For insight into Jim’s process of writing a thriller series, don’t miss Bob Keyes’ interview with Hayman, splashed across the front page of today’s Portland Press Herald Audience section.

The Girl Who Soared Over Fairyland and Cut the Moon in Two: Cat Valente

An illustration from The Girl Who Soared Over Fairyland

An illustration from The Girl Who Soared Over Fairyland

Peaks Island author Catherynne Valente has just published “The Girl Who Soared Over Fairyland and Cut the Moon in Two,” her third in a five-part YA fantasy series that has placed her on the New York Times bestseller list.

A reviewer for Booklist said, “As usual, Valente enlightens readers with pearly gleams of wisdom about honesty, identity, free will, and growing up. September often worries who she should be and what path she should follow, but the lovely truth, tenderly told, is that it’s all up to her. Thanks to a dramatic cliff-hanger ending, there is sure to be more empowerment and whimsy to come. Grades 5-8. –Sarah Hunter” and Times Magazine called it, ““One of the most extraordinary works of fantasy, for adults or children, published so far this century.”—Time magazine, on the Fairyland series.”

Recently, Valente spoke at Portland’s beloved Longfellow Books in Portland and this spurred some television coverage. I thought you might like to watch the television interview with Cat here or below

Interview of Cat Valente

Interview of Cat Valente

or watch a trailer about the series

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